.png)
Inside the Studio: Allison McCrady
- Art Dealer Street
- 20 hours ago
- 4 min read
This week, Inside the Studio invites you into the expansive, intuitive world of Allison McCrady, a California-based abstract artist whose works feel both architectural and emotional. Known for her bold use of color, densely layered textures, and ever-evolving techniques, Allison’s paintings transcend the canvas—becoming meditative landscapes, energetic storms, and quiet reflections all at once.
McCrady doesn’t shy away from complexity. Each large-scale piece is the result of an intensely physical, process-driven approach that involves working top-to-bottom, layering acrylics and oils, and embracing unexpected imperfections. Her work has captured the attention of institutions and collectors alike, but at its core, it remains deeply personal—anchored in curiosity, experimentation, and an unshakable drive to express what can’t be said in words.
From public commissions to private contemplations, Allison McCrady’s art is a journey through color, texture, and intention. In this candid interview, she opens up about the layers behind her process—both literal and emotional.
Read on to learn more in an exclusive interview with Allison McCrady :
1. Your use of thick, multi-layered paint creates vibrant movement in large-scale works. Can you walk us through your layering process and how you choose to reveal or conceal each layer?
My first layer is usually acrylic—it dries quickly, which suits my pace. I generally work top-to-bottom, left-to-right, and by the time I reach the bottom, the top is dry again. I often return with thinner layers over the dried textures to create variation and subtlety. The decision to reveal or conceal is intuitive; some textures deserve to shine through, others are meant to be subdued.
2. You consistently avoid repeating palettes or techniques. How do you challenge yourself to push beyond familiar colors or forms in each new work?
I just love color and experimenting with it! That alone pushes me to keep exploring. Although, if I’m honest, I probably use the same colors more often than I realize—but each time they serve a new emotional or visual role.
3. With 10+ layers per canvas, texture becomes almost sculptural. How does that physical depth influence viewers’ emotional or spatial response?
That’s a question best answered by those experiencing the work. From what I hear, the depth draws them in—it creates movement and intrigue. Many people are fascinated by the tactile surface and often feel the urge to reach out and touch the work.
4. Your work has been acquired by prestigious institutions and private collectors. How does public or corporate collection affect how you approach scale, composition, or audience?
Much of my public work comes through commissions, which are often more representational. For example, I’ve painted college campuses or specific vineyard landscapes. These tend to be less abstract. But moving forward, I’m interested in creating a collection of abstract works specifically for a corporate audience.
5. You’re described as focused on “pure creation.” How do you balance freedom of expression with the pressure to evolve and innovate?
To me, they’re one and the same. Freedom of expression is how I evolve and innovate. I don’t see them as separate ideas.
6. Are there any moments or insights—positive or disappointing—that profoundly shaped how you approach subsequent works?
Yes. In the beginning, my work unintentionally reflected social issues. That influence became more conscious over time. Now, I pay attention to what’s weighing on my mind or in the world and build a narrative from there. It’s a more focused process, and I like the direction it’s taking me.
7. How does place—working in California—shape your color choices or conceptual approach?
I don’t think it does, actually. I work all over the world, and what shapes my work is what’s going on in my head—not my surroundings.
8. For emerging artists interested in abstract, process-heavy work, what advice would you give about balancing experimentation with developing a recognizable artistic identity?
I don’t see experimentation and identity as opposites. The more you experiment, the more you’ll discover your unique voice. Embrace the process—it is your identity.
In a world that often demands predictability and polish, Allison McCrady reminds us that art thrives in the uncharted spaces—in the drips, the textures, and the moments of risk. Her studio practice is an act of listening as much as it is of making: to the world, to intuition, and to the paint itself.
Through her honesty about process, imperfection, and narrative, McCrady offers not just visual impact, but a philosophy of making: that experimentation is identity, and that meaning often emerges only after we let go of control.
As she continues to explore new abstract directions while staying true to her instinctual style, Allison McCrady’s work encourages us to pause, look closer, and trust the layers beneath.
Stay tuned for more artists in our Inside the Studio series—where creative process meets purpose.
You can learn more about Allison McCrady and her work via these links: Website: Allison McCrady Instagram: @amfa_gallery Facebook: @Allison McCrady
Comments