Inside the Studio: Guillermo Lorente Pérez

Guillermo Lorente Pérez’s artistic journey spans continents, philosophies, and dimensions. Born and raised in Cuba, educated at the Higher Institute of Art in Havana, and later relocated to Sweden and New York City, Guillermo’s work is a symphony of science, spirituality, and human introspection. His paintings, including celebrated series such as "Interiors," "The Misanthrope," and "The Universe’s Strings and the Blessed Water," explore existential themes and the mysteries of the cosmos. In this exclusive interview, Guillermo shares insights into his creative process, the evolution of his artistic themes, and his vision for the future of art.

Guillermo Lorente Pérez in Studio

Read on to learn more in an exclusive interview with Guillermo Lorente Pérez :

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1. Could you share more about your early experiences studying art at the Higher Institute of Art in Havana and how they shaped your approach to painting and drawing?

The I.S.A. was a place where you could find tools to research new ideas and develop a lifestyle oriented towards creativity and achieving your artistic dreams. However, in a country like Cuba, where foreign ideas were often rejected by the Communist Party, those dreams were accompanied by uncertainty and fear of the unknown future. Most of my teachers were active artists, providing us with the latest insights into global artistic trends. The Higher Institute of Art became a sanctuary for dreams, detached from the harsh realities awaiting us as artists.

"The White Rain & Parallel Universes"

2. Your "Interiors" series reflects a sacred journey through the soul and the "interior body of creation." What inspired you to explore this theme, and how has it evolved over the years?

From an early age, I’ve been drawn to questions about human existence and the universe's origins. These inquiries led to the creation of the "Interiors" series, a collection of oil-on-canvas paintings that act as an exorcism for my spirit. The series began with my bedroom, where the floor symbolized the Sacral Chakra, and the walls extended into infinite space and time, representing the crown Chakra. Inspired by M.C. Escher’s perspectives and the concept of "as above, so below," the series resonates with universal laws. Today, the series is in suspension, awaiting a revival with new scientific insights into parallel universes, the astral plane, and dimensions beyond human perception.

"Chemtrails"

3. Moving to Sweden in 1994 marked a significant shift in your life and art. Could you elaborate on how this relocation influenced the themes in your work, especially "The Misanthrope"?

Sweden opened my world. The mother of my two sons played a crucial role in my artistic development during this time. The concept of "The Misanthrope" took root in my philosophy, embodying a figure disillusioned with humanity, viewing it as a parasite of the galaxy. The Misanthrope seeks to shield his heart and soul from the deceit of social systems and the illusion of freedom. This theme continues to influence my work.

"Blood as a history of human Race"

4. How did your experience of moving to New York City in 2002 shape your art, particularly your "The Universe’s Strings and the Blessed Water" series?

New York City deepened my exploration of conspiracy theories, the absurd, and the invisible. In this context, the "Rain" series, titled "The Universe’s Strings and the Blessed Water," was born. These oil paintings delve into parallel universes, hidden truths, and government manipulation of human history. Water symbolizes purification and energy, with each drop representing a connection to the universe’s vibrations.

"The Matrix"

5. Your recent works draw inspiration from quantum physics and string theory. How do these scientific concepts influence your creative process and artistic expression?

Quantum physics and string theory have become integral to my daily mindset. Water in my paintings acts as vibrational strings, creating life wherever it falls. It represents both the visible and invisible elements that connect the universe, bridging space and time in profound ways.

"The space where You already are."

6. Water appears as a recurring motif in your latest series, symbolizing purification and the essence of life. How do you balance its symbolic and physical presence in your compositions?

Water takes on various symbolic forms in my paintings—red water speaks of humanity’s bloody history, while black water foreshadows a dystopian future. Its presence varies depending on the surface it touches, making it both a physical and metaphorical element in my work.

"The Reptilians-Monalisa-ooparts, The dark side of the Moon."

7. Many of your paintings seem to address profound existential questions. What role do you believe art plays in helping individuals grapple with such questions?

Art and science are the ultimate tools for interpreting and analyzing reality. As John Lennon’s song suggests, imagine a world without religion or politics—art becomes the purest expression of universal harmony. In my work, art serves as a communication tool to explore existential questions, offering a lens through which we can confront truths and find meaning.

"The Dark Side of the Moon"

8. Looking ahead, are there any new themes or projects you’re excited to explore in your artistic journey? I’m currently working on a series of eclipses that explore both visible and invisible realms. This project views Earth as the solar system’s library, delving into the diverse humanities that have existed before us.

"The Black Rain"

Guillermo Lorente Pérez’s art invites us to look beyond the tangible and into the mysteries of existence. Through themes of quantum physics, spirituality, and existentialism, his work challenges conventional narratives and inspires deeper contemplation. As he continues to explore new dimensions in his artistic journey, Guillermo’s paintings remain a testament to the transformative power of art.

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You can learn more about Guillermo Lorente Pérez’s and his work via these links:

Saatchi Art: @Guillermo Lorente Pérez Artplode: @Guillermo Lorente Pérez