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Postcard from New York I Sept 08 -Sept 12, 2025

Here is our weekly Postcard from New York, in collaboration with Clio Art Fair!


In this article, we will explore some of the highlights of this week, looking for the most interesting and inspiring exhibitions and events in NYC.


Let's discover our selection of NYC-based art events!New York 2025



Abstract art with bold colors. Text: Postcard From New York, In Museums. Flora Yukhnovich's Four Seasons at The Frick Collection, 2025-2026.

In Museums

FLORA YUKHNOVICH'S FOUR SEASONS

@THE FRICK COLLECTION 03 SEPT, 2025 - 09 MAR, 2026 Taking inspiration from the French Rococo, Italian Baroque, and Abstract Expressionist movements, Flora Yukhnovich (b. England, 1990) creates work that is at once modern and timeless by translating historic compositions into contemporary abstractions. Using the Frick’s Four Seasons by François Boucher as a point of departure, Yukhnovich’s site-specific mural covers the walls of the museum’s Cabinet. This project is accompanied by the publication of a new volume in the Frick’s acclaimed Diptych series, which highlights a single masterpiece from the permanent collection by pairing complementary essays by a curator and a contemporary artist, musician, or other cultural luminary. This volume, which will come out later in the fall, will feature a text by Yukhnovich and an essay by Xavier F. Salomon, the Frick’s Deputy Director and Peter Jay Sharp Chief Curator, on the significance of Boucher’s beloved series. Discover more



Abstract background with yellow and orange tones. Text: "Postcard From New York," "In Galleries," exhibition details, artist Harminder Judge.

In Galleries

WHEREVER I WENT, I WENT WHEN I WAS SLEEPING - HARMINDER JUDGE @SEAN KELLY 05 SEPT - 18 OCT,2025

Sean Kelly is delighted to present Wherever I went, I went when I was sleeping, Harminder Judge’s first exhibition with the gallery. New large plaster-and-pigment panels, works that exist at the intersection of painting, sculpture, and architecture, are presented alongside shaped pieces that hover off the wall like fragments excavated from deep time. For this exhibition, Judge has created a site-responsive floor installation spanning the entire front gallery. Constructed from the same materials as his paintings, the vast slab appears like a geological formation, disorienting in its scale and placement. Together, they create an immersive space where material, image, and architecture converge.  Discover more



Colorful abstract art with text: "POSTCARD FROM NEW YORK," "IN BROOKLYN," and event details. Bright pinks, blues, and greens.

In Brooklyn

PANDORAS SWIPE - DAN ALVARADO

@BOTANICA GROVE 05 SEPT - 22 SEPT, 2025 In collaboration with Botanica Grove, Brooklyn, artist Dan Alvarado presents PANDORA’S SWIPE, a solo exhibition that explores a satirical take of the temptation, overstimulation, and hyper sexualization of online dating apps. Opening on September 5 through September 22, Dan Alvarado’s paintings, composed of dating profiles that are digitally altered and collaged together, become a landscape of portraits across the ether.  Complimentary bright, colorful emojis accentuate the sexual stimulation and dopamine dating profiles promote, as well as commenting how human society interacts and flirt amongst one another.  To create a feeling of overstimulation, the profile images and emojis are screen-printed in vibrant colors before being hand painted for their final touches, resulting in portraits that have a more playful take on profiles users would see on dating apps.



Outdoor art exhibit at The Met. People gather around tall sculptures with red accents. Text reads "POSTCARD FROM NEW YORK," plus event details.

Outside

ENSEMBLE - JENNIE C. JONES @THE MET 15 APR - OCT 19, 2025

For the 2025 Roof Garden Commission, Jennie C. Jones (born 1968, Cincinnati, Ohio) has produced Ensemble. Only her second outdoor sculptural installation, the project explores the sonic potential of stringed instruments as well as their formal possibilities. In the artist's unique response to modernism, these acoustic sculptures propose the line of the string as a proxy for art history, unbroken and continuous. In her paintings, sculptures, works on paper, installations, and audio compositions, Jones uses sound to respond to the legacy of minimalism and to modernism itself. Drawing on her immersion in Black improvisation and avant-garde music, she deploys sound and listening as important conceptual elements of her practice, from the acoustic fiberglass panels she affixes to canvas, which absorb sound and affect the acoustic properties of the environment, to the lines and bars she creates through her compositions that refer to elements of musical notation. Her work across media offers new possibilities for minimalist abstraction, challenging how—and by whom—it is produced.



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